This Portland, OR based metal trio is heavy handed in all possible ways. From their obscene cover art to their badass lyrical themes, this band is outrageous. No wonder their self titled EP was released on 04/20 of 2017. This is stoner metal if I ever heard it. What many would consider a “bad”trip, I would consider a “dark” or “morbid” trip. Instead of getting scared, I learned to enjoy the macabre images of … read...
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Making their music in the heart of the war torn Middle East, Al Namrood are one of the most innovative black metal bands in the industry. With the release of Enkar, their most recent album, they continue to be a driving force with fans all around the globe. Undead Goathead probes into their unique situation with this latest interview. Enkar is available in digital, CD, and vinyl formats on Bandcamp. Undead Goathead: Has … read...
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Not only is Greece the cradle of Western civilization and the root of all modern society, it’s also the nation that gave the world top-notch metal bands like Sabaton, SepticFlesh, and Rotting Christ. Kin Beneath Chorus, hailing from Thessaloniki, Greece, are the latest addition to their ranks. In fact, KBC have already shared the stage with many of these acts, and have also performed at the world-famous heavy metal mecca, Wacken Open Air. When they … read...
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The Underground at Evangelo’s is always an excellent venue for louder-than-life, heavy metal mayhem. Touring bands All Hail The Yeti and Final Drive were right at home with local shredders Carrion Kind. Here is historical evidence of the badassery, documented for posterity. Carrion Kind opened up with their killer masterpiece, Memoirs Of A Lost Civilization. Many other songs from their debut album, The Collapse Of All To Come, have catchy death metal chord progressions that … read...
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Bloodpig is a band whose signature style consists of high octane punk rock energy, angry screams, cacophonous drumming, and dissonant guitars. This split compilation includes two albums: Horrible Music By Worse People (2015) and Rx (2012). Both are noisy, loud, obnoxious, and awesome. This will be a two part review, starting with the first album. When describing this record, two words leap to mind: Nasty and gnarly. The musical techniques used are simple but effective. … read...
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This EP is a collaboration between San Jose’s Cyanic and Oakland’s Infinite Waste. Both bands from the California coast have a propensity for coarse, ball-busting dissonance with distorted guitars and beastly vocals. Here is a track-by-track review of this split: Cyanic have blasting soundwalls of sinuous counterpointed rhythms, which intertwine with complexity. The vocals are good, even though the sound quality itself is somewhat choppy. The drums, bass, and guitar each play their own thing, … read...
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This is Déjà Vu all over again. Didn’t The Cave host a nearly identical line-up a few months ago? However, this show was cut off halfway through the double-set of Thou and The Body (Yar didn’t even get to perform at all). Regardless, this was a worthy concert. Here’s what you missed: Bathhouse were coarse, blunt, and louder than hell. The guitars and vocals were agitated, noisy, and distorted. Although the music was extremely chaotic, … read...
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Monuments is a fitting title for the 20014 release by October File, a colossal jewel which captures the band at their zenith. This chimerical beast is a culmination of hardcore, post punk, and industrial influences, making a musical juggernaut of monstrous proportions. Although they are a relatively obscure band, they have withstood the test of time thus far and have remained a thematic powerhouse for over a decade. October File have the boastful confidence, and … read...
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Launchpad hosts The Albuqurque Battle Of The Bands, but I would be more excited if there was more information about which bands will be performing. New Years Day headlines this show, with their creepy fellow rockers Get Scared, Eyes Set To Kill, and more. Tickets are $12. Fister will be performing at Burt’s Tiki Lounge in Albuqurque on the 9th, with NM bands Hollow Tongue, Econarchy, and Dysphotic. Now that’s what I’m talking about! … read...
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Garroter has a choppy, chunky sound reflecting the bloody bits and pieces on the album artwork. Palm muted chords ad nauseum, layered over an obscene amount of guitars and double pedal drums, creates immense walls of polyphonic discordance. These colossal soundwalls persist at a sludgy pace, but frequent interruptions by blast beats and breakdowns keep them from being overwhelming. Despite the cacophonous music and coarse production quality, I Am The Shotgun have a cleancut aftertaste. … read...
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