11/21/2024

Undead Goathead

Dedicated to metal, music, and mischief.

Metal Mythos

      From the fantasy of early power metal to the darkness of modern Viking Metal, the genre as a whole is intertwined with mythology. Although this is a specific relationship, its implications are so vast that it is difficult to organize a coherent analysis. Therefore, I will take the copycat aproach and tackle the beast chronologically, as has proved effective for the likes of Sam Dunn. Rewind to the early years…

     Although they refuse to be labeled as Metal, Led Zeppelin were some of the earliest rockers to incorporate mythology into their lyrics. It is common knowledge that they integrated established storylines of Tolkien, dropped it down to an eerie D, and amplified the results to high heaven. In turn, bands such as Black Sabbath and Alice Cooper took a decidedly Christian standpoint, contrary to the ravings of critics and dumb-asses. Just because the lyrics weren’t about Jesus, doesn’t mean these artists did not let their spiritual beliefs bleed into their art. Gothic crosses and rosaries are still a staple in the Metalhead wardrobe to this day. And of course, it is impossible to describe religious symbolism in Metal without mentioning Dio.

     The so called “devil horns” remain a universal symbol of Metal, despite bastardization throughout the decades. From an early age, Ronnie James Dio was taught to clench his fist with the pinky and index fingers erect, as a deeply spiritual sign to ward off the evil eye. After he used the gesture in concert, the audience had equated the hand signal to his powerhouse vocals, then to the Rock n’ Roll lifestyle, and now it is practically a cartoonish caricature of its spiritual origins. However, despite being overused to the point of cliche, the “devil horns” are a testament to spirituality and music.

     Meanwhile, myths of a different variety had to be dispelled. These fell not under the category of “spiritual story” but of “urban legend”. Bitings heads off of bats, killing animals onstage, and all manner of blashpemous debauchery were invented (at least partially) and sensationalized out of proportion. Again, the artists who caught the most flak were some of the most devout Christians this side of the Bible-Belt. At any rate, these accusations were little more than tabloid hyperbole. After all, you don’t have to be Satanic to like busty babes and dragonslayers.

(Stay tuned for Part 2: Power Metal! )